Most of the images were taken using a large format camera, with a range of lenses from wide angle to short telephoto. I prefer the non folding type and use an Ebony 45SU, it allows for quick setup in the field with a lens already in place, which is a bonus when the light is fleeting. The 45SU has the full range of movements, but also includes asymmetrical tilt and swing, that allows for one stop quick focus capability. For more on Ebony cameras and asymmetrical movements go to the following link: www.ebonycamera.com

When using the view camera the image is displayed on the viewing glass inverted and back to front. This takes some time to get used to but because what you´re seeing is somewhat unusual your view is changed to shapes and patterns, distracting elements are, or can be, removed leaving you to focus on organising your chosen subject matter into a composition that works best. It´s a challenging format to work with due to its weight and slow process, but far more rewarding because of its many capabilities, not to mention the incredible detail present when viewing a large format transparency on the light box. These cameras also allow you to change between normal format or panoramic with the aid of a rollfilm back that clips on to the back of the camera. Metering is entirely done with a hand held version, and a tripod is definitely required.

To capture Lightning I still use a large format camera but one that is far easier to use in difficult conditions, Called a Cambo Wide, it's a simple modular design with helical focus lens mounts and allows for both roll film panoramic back and 4x5 sheet film.

I use predominantly Fuji films for colour, for their outstanding grain and colour rendition. For black and white, I use Infrared films such as Kodak HIE and Rollie Infrared. I choose Infrared for its ethereal representation of foliage and nostalgic timeless quality that it seems to impart.

When our eye views a scene, our mind automatically filters out colourcasts, (eg automatically correcting for the blue light in shadows on a blue sky day), Film on the other hand sees all light passing through the lens in accordance with the film specifications. To achieve the results from film as we see them with our eyes, I use the Lee Filter system, to correct for the films inadequacies in tonal range if required, and to allow the scene to represent on film as close as possible to how I saw it in the field. The film is then scanned and reproduced as close as possible to the original transparency before being printed or stored electronically as a digital file.